Keyon Monté brings his New York-premiered play Second Born, starring Dominique Thorne and Mister Fitzgerald, to Kansas City. Twenty seats a night, Oct. 22 to 29.
On June 19, the Defender and Decarcerate KC fill the field with Black vendors, good music, and family reunion energy, free and open to the whole city.
One of the greatest Black orchestras in American history returns to the city that birthed it Thursday night, on the eve of International Jazz Day. KC's own Lonnie McFadden, Deborah Brown, and Charlton Johnson take the stage with them. The kind of show people will tell their grandchildren they were at.
The newly appointed president of the National Organization of Minority Architects, Bryan C. Lee Jr., sits down with The KC Defender's Executive Editor Ryan Sorrell to discuss why, in an age of fascism, building a blueprint for liberation means reclaiming the spaces where Black life can flourish
Federal judge allows civil rights conspiracy case to expand after a local Black entrepreneur’s motion sufficiently alleged evidence of "common discriminatory purpose" to exclude Black business owners from Kansas City's historic entertainment district. At the center: allegations of a weaponized "Good Neighbor Agreement,” brazen threats captured on tape, and a music ban targeting chart-topping Black artists.
This 7,000-square-foot space on Agnes Ave. offers artists, podcasters, and entrepreneurs the access, equipment, and support they’ve long been missing.
Multi Award-winning, Black-led Collage Dance Collective brings Zora Neale Hurston's revolutionary vision to Kansas City. A neoclassical ballet and contemporary dance piece exploring Black freedom and self-determination. November 14 at the Midwest Trust Center.
Local bookstore BLK + BRWN hosted their annual Juneteenth Block Party to commemorate the bookstore turning four years old.
We’re thrilled to welcome Tiffany Watts as our first-ever full-time reporter. In her inaugural piece as Lead Reporter for Black Economic Justice, Food & Culture, Tiffany investigates the forces threatening Black economic survival—and just as powerfully, celebrates the brilliance of Black chefs, salon owners, growers, and organizers reimagining what a liberated economy looks like in our city.
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